Friday, August 31, 2012

LayerVault adds new features for Photoshop collaboration

LayerVault is a PSD-savvy service for versioning & collaborating on design work, and it’s just added a swath of cool new features (the “Wormhole” mechanism for inspecting changes being especially neat).  News site BetaKit writes,

Users can now view edits happening in real-time, and open compatible files directly in the browser, meaning less popping in and out of apps just to make a few minor tweaks. Tools added now let them pick colors and create transferable palettes on the fly, for instance, as well as measure design components with a click.

Here’s a 1-minute tour of what’s new: 

Posted by John Nack at 8:56 AM on May 09, 2012

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Correspondence Management: Move active assets betwixt systems

Correspondence Management 9.5 now lets you conveniently move active assets from one system to another. You can export the selected assets from the source system as a ZIP package and import the ZIP package into the target system.

This functionality is useful in several scenarios; for example, when you’re moving assets from a development environment to a production environment.

Some important considerations to keep in mind:

Only active assets can be exported. Further, all the assets to be exported must be on the same Correspondence Management system.For optimal performance, select a maximum of 100 letters for export and ensure that the exported ZIP package size does not exceed 50 MB.The export operation fails if one or more dependent assets for a selected asset are in the archived state. To resolve this issue, refer to the log and modify the selected asset such that it is dependent on the active version of the offending asset instead of the archived version.

You can access the documentation for this new feature here.


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XDP Stitiching using DDX

- Girish Bedekar, LiveCycle Solutions Evangelist @ Adobe

A common use case is to let the end user select various fragments to insert in the final PDF. The screen shot below would better explain what I mean by this. AS you can see this screen captures some user information, and allows the user to select fragments that need to be inserted in the final pdf. When the user hits the submit button it will call a LC process which will parse the parameters and build the DDX needed for XDP Stitching. The Process makes use of a custom component called xmlUtilities which allows you to insert elements in an xml document. The input parameters to the process are the name,city,address,state,zip and fragments. The fragments variable will hold a comma separated list of selected fragments.

---

Read the complete post at Adobe LiveCycle Blogs.

This entry was posted by Girish Bedekar on May 15, 2012 at 9:42 pm, and is filed under LiveCycle Enterprise Suite. Follow any responses to this post through RSS 2.0. You can skip to the end and leave a response. Pinging is currently not allowed.


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What do you wan’t to learn?

What do you wan’t to learn? « Adobe Nordic Blog function clearSearch() {document.search_form.s.value = "";} adobe.com      Adobe Nordic Blog / What do you wan’t to learn?by adobepr1Adobe CS6 (1)  

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Check out our new student game: #SeeingDouble

Fancy getting your hands on the latest photo-imaging, video-editing and design technology from Adobe?

 If you’re a student (18yrs+) that loves creating, then this is for you! To celebrate the launch of Adobe Creative Cloud Student & Teacher Edition & Adobe Creative Suite 6, we’ve launched a new fun game. Running run until May 25 2012, we have a raft of great prizes to give away in our #SeeingDouble game. Simply visit Adobe Students UK on Facebook between 10am and 10pm every weekday and play by finding all the matching pairs of images.

 Those of you that find the images in the quickest time and least number of moves will reach the #SeeingDouble leaderboard. You can play as many times as you want, but only your best score of the day will be posted. Every day the top eight scorers will be entered into a prize draw to win one of our fantastic prizes!

 If you’re a lecturer whose students have a passion for designing and innovating, then this is definitely worth getting them involved in.

 For more detailed information about the game, as well as full terms and conditions, please visit http://bit.ly/JZf1YQ

Liz Wilkins is Senior Marketing Manager for Education at Adobe Systems UK. Her involvement with Adobe Education products has seen her work closely with a range of educational institutions, championing the use of digital media tools in the curriculum, and their integration into a number of subject areas in order to better prepare students for the future demands of the workplace. Liz works closely with teachers and administrators integrating software, curriculums, and instructional resources as well as certification options and professional development tools. Through promoting digital literacy in cross-curricular education, teaching essential career skills, and streamlining administrative processes Liz has experience working in partnership with a diverse portfolio of schools and further education institutions.

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plug-ins for After Effects CS6

plug-ins for After Effects CS6 « After Effects region of interest function clearSearch() {document.search_form.s.value = "";} .recentcomments a{display:inline !important;padding:0 !important;margin:0 !important;}adobe.com      After Effects region of interest / plug-ins for After Effects CS6by Todd Kopriva  

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Adobe Thought-Leadership Event @ STC Summit Chicago

Thursday, May 10 2012 @ 7:23 AM, By Parth Mukherjee

The STC Annual Summit is just around the corner. What are you packing for your trip to Chicago? Do remember to reach in time to listen to and interact with some of the best known faces of the TechComm world.

Adobe is committed towards bringing together thought-leaders in this space a day before important events and none gets bigger than the Annual STC Summit! On Sunday May 20th, a day before the STC Summit begins, we welcome you to attend this free conference (detailed agenda and registration link) at the Hyatt Regency O’Hare.

Some of the speakers and sessions include:

If you missed the links on top, they are provided below. If the adjacent picture is anything to go by, Adobe events can be a lot of fun even as they help you learn and network. Hope to see you there!

————————————————————–

Date: Sunday, May 20, 2012

Time: 8:00 am – 1:00 pm CST (with breakfast, refreshments and networking lunch included)

Venue: The Hyatt Regency O’Hare, Chicago-Rosemont, Illinois, USA

NO REGISTRATION FEE! Just sign up and attend! Important links:

————————————————————–

- Team TechComm @ Adobe


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영화 Act of Valor 제작자가 추천하는 어도비 Hot Tip 5!

Stay Connected at Summit

Stay Connected at Summit « Adobe Digital Marketing Summit function clearSearch() {document.search_form.s.value = "";} .recentcomments a{display:inline !important;padding:0 !important;margin:0 !important;}adobe.com      Adobe Digital Marketing Summit / Stay Connected at Summitby Neil MorganCreatedMay 9, 2012

Below are the social media channels, hashtags and other information that will help you stay connected on all things Summit.

Summit on Twitter

@AdobeSummit
Follow the official Summit account to keep tabs on important conference news, highlights and updates.

To join the Summit conversation on Twitter, make sure you include the correct hashtags in your tweets. A hashtag is denoted with a “#” in front of the keyword. You can enter the hashtag in Twitter Search to view the conversation in real time.

#AdobeSummit
Follow the official Summit hashtag to view the community chatter about the conference. Make sure you use it whenever you tweet about the event to join the conversation and connect with other delegates.

#SummitHelp
Use this hashtag to notify us about any logistical issues, before and during Summit. We’ll do our best to assist you as soon as possible.

Breakout sessions

Look out for the topic-specific hashtags we’ve identified on the slides in each breakout session. Use these when you’re tweeting about the session and contribute to the wider discussions taking place in the community.

Customer Community Zone

We want to hear from you in person too, so make sure you swing by the Customer Community Zone (located near the entrance of the Community Pavilion) and say hello. We’re keen to learn more about your experiences with Adobe and how we can work together to provide value and support to our digital marketing community. Please stop by to take our quick survey and be entered into a prize draw to win an iPad!

CareersPermissions & TrademarksEULAsReport PiracyContact AdobeSecurityCopyright © 2010 Adobe Systems Incorporated. All Rights Reserved.
Use of this website signifies your agreement to the Online Privacy Policy and Terms of Use (updated 07/14/2009)

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Tips for Getting Started with Photoshop CS6

Tips for Getting Started with Photoshop CS6 « Julieanne Kost's Blog function clearSearch() {document.search_form.s.value = "";} Julieanne Kost's Blog / Tips for Getting Started with Photoshop CS6ADDITIONAL INFORMATIONBio, Contact and Artists StatementLightroom Video TutorialsPhotoshop Video TutorialsSchedule of EventsAdditional ResourcesPortfoliowww.jkost.comby Julieanne Kost  

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Adobe Creative Suite 6 klar för leverans

Adobe Creative Suite 6 klar för leverans « Adobe Nordic Blog function clearSearch() {document.search_form.s.value = "";} adobe.com      Adobe Nordic Blog / Adobe Creative Suite 6 klar för leveransby adobepr1Creative Cuit 6 (1)CS6 (3)  

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書籍:作例で学ぶAfter Effectsエフェクト百科

??:?????After Effects??????? « Focus In blog function clearSearch() {document.search_form.s.value = "";} .recentcomments a{display:inline !important;padding:0 !important;margin:0 !important;}adobe.com      Focus In blog / ??:?????After Effects???????by Seigo Furuta  

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Thursday, August 30, 2012

Towards Breaking The 64K Glyph Barrier…

Towards Breaking The 64K Glyph Barrier… « CJK Type function clearSearch() {document.search_form.s.value = "";} adobe.com      CJK Type / Towards Breaking The 64K Glyph Barrier…by Dr. Ken Lunde  

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We’re Social

We’re on Facebook and Twitter now. That is all.

Sorry, I could not read the content fromt this page.

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Mr Bingo talks about the creative process

Ever wondered what goes through the mind of a leading illustrator during the creative process? We grabbed 5 minutes with leading illustrator Mr Bingo to find out just that! Speaking at the recent Adobe CS6 and Creative Cloud launch in London, Mr Bingo talks about going to the pub for inspiration, setting up shoots, developing his ideas from initial sketch to digital animation and shares his secret for client success!

He also talks about how Adobe products like Photoshop and Flash transformed the way he worked, helping speed up the process and facilitate his creativity.


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Lightroom 4 Available Now in Mac App Store

1 Million Adobe, 1 Million Photoshop, 1 Million Photoshop Facebook Fans, Adobe, Adobe SXSW, Android, Android apps, apps, Carousel, CNET, CNET Gotham, Conference, CS5, decorate photos, Droid, edit, edit online, Editing photo on iPhone, elements, , embedded video, Express, , FAQ, , find, friend, Gallery, getting started, gmail, Gowalla, homepage, hotmail, improve, iOS, ipad, iPhone, learning, lightroom, Mac, Mac App Store, mobile, Mobile photo editing, mobile photo sharing, mobile photo uploads, mobile video playback, my, new, Nexus One, online, personal, photo backup, photo editing, photo sharing, photo slideshows, photo storage, photo uploading, photosharing, photoshop, Photoshop Express, Photoshop Express Editor, Photoshop Express Organizer, Photoshop Express Slideshow, Photoshop Express Uploader, Photoshop World, photoshop.com, photoshop.com 1.6, Photoshop.com for iPhone, photoshop.com mobile, Photoshop.com Mobile for Android, Photoshop.com Mobile for iPhone, photoshopdotcom, photowalks, PSdroid, , spotlight, team, tutorial, upload photos, video backup, video sharing, video storage, Yahoo!


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書籍:撮影・VFX/CG アナログ基礎講座 II

??:??·VFX/CG ???????? II « Focus In blog function clearSearch() {document.search_form.s.value = "";} .recentcomments a{display:inline !important;padding:0 !important;margin:0 !important;}adobe.com      Focus In blog / ??:??·VFX/CG ???????? IIby Seigo Furuta  

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The Pew Pew Manifesto

This is the last post of the Pew Pew Chronicles – a series of blog posts about a crazy journey that eventually led to Pew Pew becoming one of the first apps in Microsoft’s App Store.

I would like to end this series with summarizing the underlying ideas of my work on Pew Pew.

Last month I gave a talk about creating Metro applications using ActionScript. In order to spice up the Q&A segment at the end of my talk I thought it would be fun to add a final slide with some provocative statements. I called that slide The Pew Pew Manifesto, which I am going to share with you in a minute.

I suspect that not everybody will agree with what I put into the Pew Pew Manifesto. But before we enter a religious war about dynamically versus statically typed languages, or whether JavaScript can be used for large projects, let me stress that I didn’t write the Pew Pew Manifesto in order to pick up a bar fight. I wrote it in order to wake up my colleagues that fell asleep during my talk! (Just kidding, nobody fell asleep.)

That said, let me present the Pew Pew Manifest:

JavaScript is not suitable for large web apps.JavaScript is the browser’s assembly language.Choose a high-level language for developing web apps.Cross-compile from a high-level language to JavaScript.Use Google’s Closure Compiler for optimizing JavaScript.Optimized JavaScript is obfuscated and protects your intellectual property.Let your app degrade gracefully when OS features are missing.Invade every Web Platform!

I’ll walk you through the list…

I am serious: Don’t write large web apps in JavaScript. As mentioned in Planning A Death March I don’t think JavaScript is suitable for implementing large projects. Last year I was asked to help out with an internal project that used JavaScript. Over time the code had grown out of control and there was only one person left, who really understood how it worked. The project had also become unscalable, because adding more developers would not have increased the overall productivity. It would have taken those developers too much time to come up to speed and work on this particular code base written in JavaScript. I looked at the code and suggested this crazy idea: Why not porting the existing JavaScript code to ActionScript and then continuing development in ActionScript while cross-compiling to JavaScript?

Porting JavaScript to ActionScript in order to cross-compile back to JavaScript? Was that crazy-talk? Perhaps, but it surprisingly worked and probably saved that project. Here is what happened when I ported the JavaScript code to ActionScript:

The code naturally distributed itself from about 10 files to over 100 files when creating ActionScript classes.Porting JavaScript to ActionScript revealed inconsistencies and at times incoherent uses of types.My cross-compiler automatically added type annotations necessary for compiling with Closure’s Advanced Mode.

I don’t know why but JavaScript programmers tend to put all of their code into few files. That’s not so useful, though, if you want to have multiple developers work on the same project. Splitting up the code into multiple files enabled us to scale the project.

You wouldn’t believe how many inconsistencies I found when porting JavaScript to ActionScript. Often JavaScript code, which looked perfectly fine at the first glance, revealed itself as incoherent the moment I tried to compile it with an ActionScript compiler. Sloppy usage of types were to blame for most of the inconsistencies. A very popular anti-pattern seemed to emerge: functions, which return incompatible types:

// (bad) JavaScriptfunction createBunnyOrToaster(createBunny){  if( createBunny )    return new Bunny();  return new Toaster();}

Of course if you start writing this kind of code your receiving end gets quickly contaminated with inconsistencies:

// (bad) JavaScriptfunction feedBunnyOrToaster(bunnyOrToaster){  if( bunnyOrToaster instanceof Toaster )  bunnyOrToaster.insert(new Toast());  else bunnyOrToaster.feed(new Carrot());}

Nobody in his right mind would write this kind of code. But I have seen it more than once. In fact I have written that kind of code myself. My point is that it’s not necessarily the developer’s fault that we end up with bad code like the examples above. I would argue that dynamically typed languages like JavaScript are too tolerant and don’t slap developers on the fingers when they start mixing up bunnies with toasters. It might cramp your artistic programming style if you cannot mix up bunnies with toasters but where I come from doing so results in bad projects.

Just to be clear: You can write bunny-and-toaster code in ActionScript, too. But I would argue that you get immediate feedback of something being fundamentally wrong as you are typing that code, just by being confronted with questions like “what should be the return type?”. Of course you can choose to use “*” or “Object”. But most people pause and rethink their design at that point.

Not everybody is as smart as Gilad Bracha or John Resig and those that aren’t – like this author – are probably better off with writing their code in a statically typed language. Many will probably disagree with this statement. It might make more sense after reading the next Manifesto statement.

In the following week after I gave my talk about creating Metro apps using ActionScript I ran into a few colleagues and I was surprised that it was this statement that they found most intriguing.  One colleague argued that the definition of assembly language implies a one to one correspondence with the underlying machine code. Another characteristic element of assembly languages are that they are also generally understood to be non-portable. Since JavaScript is neither, where does this idea of JavaScript being an assembly language come from and what is this about?

The first time I heard about JavaScript described as an assembly language was through Gilad Bracha’s blog. In 2008 he wrote in java’scrypt:

I’m not advocating writing clients in Javascript directly. Javascript is the assembly language of the internet platform (and the browser is the OS). It’s flexible enough to support almost anything on top of it, and poorly structured enough that humans shouldn’t be writing sizable applications in it.

To illustrate his point let me show you my cross-compiled and optimized JavaScript code of SpriteExample, which is included in Adobe’s online documentation about the Sprite class. As you can see the JavaScript code is extremely dense and no longer readable. In that sense the code looks more like binary code to me. It turns out that this kind of “binary looking” JavaScript is the most efficient version in terms of size and performance.

If you are interested in the discussion about JavaScript as an assembly language I recommend listening to JavaScript is Assembly Language for the Web: Semantic Markup is Dead!

Implementing your project in JavaScript  leaves you with some tough choices: If you ship the development version of your JavaScript code with your product, it is not obfuscated, and also bigger, and slower. If you want a faster, smaller app that also protects your intellectual property you have to optimize your JavaScript. But then you also have to annotate your code with type hints. If you don’t annotate your code with type hints the Closure compiler won’t be able to optimize as much and your code is less obfuscated, bigger, and slower. If you do find yourself writing JavaScript with type type annotations then why not using a high-level language instead and use a cross-compiler that automatically generates the type hints for you?

That’s really the point of this Manifesto statement.

You have several choices:

Some folks are even experimenting with cross-compiling Scala to JavaScript.

In the case of Pew Pew I used my own ActionScript to JavaScript cross-compiler. In Planning A Death March I made the argument that if you had to implement Photoshop in six weeks you wouldn’t pick an assembly language. Being able to cross-compile from a high-level language to JavaScript was a crucial element of my plan.

In Optimizing cross-compiled JavaScript I wrote a whole article about the importance of optimizing your JavaScript code. As far as I know Google’s Closure Compiler is still the best JavaScript optimizer out there.

A nice side effect of optimizing your JavaScript is that it becomes unreadable as I illustrated with my SpriteExample snippet. You would never write “binary JavaScript” code like that manually. But for professional software production it is important to be able to write code in a maintainable high-level language while deploying a product that does not reveal the ideas of your source code.

In my opinion the current version of Visual Studio 11 for Metro is missing this important point. There is no built-in JavaScript optimizer and no support to hook one in. Microsoft seems to assume that nobody wants to optimize JavaScript code. Their current IDE only outputs Debug JavaScript code. There is in my opinion essentially no Release option for JavaScript apps in Visual Studio 11 for Metro. I really hope Microsoft will change that.

This might be an obvious statement. But what I am saying is, if you write a Metro app in a high-level language like ActionScript make sure that your code “degrades gracefully” so your app would also run in most modern browsers on other platforms.

I’ll give you an example from my Pew Pew code:

const domWindow : DOMWindow = adobe.globals;if( domWindow.hasOwnProperty("Windows") ){  var appLayout : ApplicationView = Windows.UI.ViewManagement.ApplicationView;  appLayout = appLayout.getForCurrentView();  appLayout.addEventListener("viewstatechanged", onViewStateChanged, false);}

The code above only registers onViewStateChanged if the environment is known to support the Windows namespace. In other words, if this code runs in a browser without Metro support, it won’t register for view state changes.

Why going through the trouble? The last statement of the Pew Pew Manifesto will answer that question.

I think, being able to write code once and reuse the same code on different platforms without  compromising neither functionality nor aesthetics of your app’s user interface is a very desirable goal.

This might sound like science fiction, but what if all of your apps in the near future were just custom browsers? Like Flash Player playing SWFs your custom browser would run your JavaScript, that is, code written in a high-level language and then cross-compiled to JavaScript. There are many cases where your JavaScript code could run in the browser as is. But how would you get your app into the Apple App Store, or the Android Marketplace? How would you make money?

This is why I find PhoneGap (now an Apache incubator project called Apache Cordova) very intriguing. In many ways PhoneGap’s architecture might lead to a new type of apps that you could call “custom web browser apps”. You can look at the PhoneGap architecture as a framework that provides custom browsers for multiple platforms (iOS, OSX, Android, Blackberry, Windows Phone). All you have to care about are the HTML, CSS and JavaScript parts you have to provide. PhoneGap even supports special JavaScript APIs for features like Camera, Location, or Accelerator, that are not accessible via standard DOM APIs.

For example, if I wanted to get Pew Pew into the Apple AppStore and Android Marketplace I would simply cross-compile my ActionScript project to JavaScript and plug it into the PhoneGap architecture. As far as I know I can even write my own native plug-ins for PhoneGap. If that’s really the case I can pretty much invade every web platform that PhoneGap supports.

Maybe that’s what I should be working on next…


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Adobe Digital Publishing Event 2012

Adobe Digital Publishing Event 2012 « Adobe Digital Publishing function clearSearch() {document.search_form.s.value = "";} adobe.com      Adobe Digital Publishing / Adobe Digital Publishing Event 2012by Adobe Digital Publishing Suite Team  

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Adobe Digital Marketing EMEA Summit – all you need to know!

Next week, it’s the Adobe Digital Marketing EMEA Summit… and we wanted to tell you a little more about it.

Web analysts, digital marketers, advertisers, publishers and content strategists will all be gathering at Battersea Park in London to discuss and share insights about digital marketing and get a glimpse into future trends from industry leaders.

Over the two days (15th – 16th May) we’ll be covering everything from analytics, personalisation and advertising to WEM, social and mobile – so there will be lots for everyone to discuss long after the Summit has ended. We’re also very excited to announce that our keynote speech comes from Arianna Huffington, one of Time Magazine’s 100 most influential people in the world.

Registration is now closed, but you can stay connected with us throughout by watching the live stream of the opening keynote here or staying in touch on social media. Follow our official Adobe Summit and Adobe UK Twitter feeds to keep tabs on breaking conference news, highlights and insights. And don’t forget to follow the official Summit hashtag – #AdobeSummit – to view the community chatter about the conference.

We’ll see you there! #AdobeSummit


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Announcing the 2012 ADAA Judges!

We’ve had the privilege of working with the best of the best when it comes to judging entries to the Adobe Design Achievement Awards (ADAA). Our judging panel for 2012 is no exception!

The ADAA program partnered with Icograda (International Council of Graphic Design Associations) to identify design luminaries from all around the globe and invited them to lend their expertise to the ADAA judging panel.

ADAA judges for 2012 include:

Daniel Biasatti, Design Director, Martha Stewart Living OmnimediaGregoire Cliquet, Professor and Department Head of Experimental Applied Researches in interaction Design (READi), L’Ecole de design Nantes AtlantiqueNancy Juliber, Strategic Creative Media Marketing ExecutiveMikael Kanfi, Partner and Chief Product Officer, Twist ImageRichard Loveless, President, Global Connections: Art and Technology Consulting Services; Visiting Professor, Nanyang Technological University, SingaporeSusan Metros, Professor of Visual Design, The University of Southern CaliforniaTetsuya Mizuguchi, Game Design, Interactive Media, Synesthesia, Q EntertainmentRavi Naidoo, Founder and Managing Director, Interactive Africa / Design IndabaHephzibah Pathak, President, Ogilvy & Mather Advertising Mumbai, IndiaFernanda Saboia, Creative Director, Tatil DesignTina Shaw, Video Production Manager / Creative Director, NBCUniversal Digital Entertainment and Liquid Filmworks

ADAA 2012 judges’ biographies can be viewed at:  www.adobeawards.com/us/about/judges/.

This summer, our esteemed judges will review thousands of innovative award submissions by students and faculty from higher education institutions around the world. Work will be judged across 13 student media categories and 3 faculty categories, and three finalists and honorable mention recipients will be named in each category. Judges will ultimately select one winner in each category. Winners will be announced at the ADAA Awards Ceremony at Adobe MAX in Los Angeles, this October.

Tina Shaw, one of this year’s judges, shared with me how energizing it is for her to join design peers from around the world and be inspired by the work of future creative leaders in traditional and experimental media.  She added, “I take great honor in supporting the students and educators that rise to the challenges of their projects with remarkable/innovative/keen visual solutions.”

The ADAA is accepting entries until 5:00pm Pacific Time on June 22, 2012. Participants may enter each category three times.  Recent student graduates are also eligible if their entry was created after May 1, 2011, and they were a student at that time. Finalists and winners will receive Adobe software and travel to Adobe MAX. In addition, winners in each category will receive $3000US cash. For more information on Adobe Design Achievement Awards and the various categories visit: http://www.adobeawards.com/us/. Stay informed and inspired by fellow designers by connecting to our ADAA Facebook and Twitter channels.


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Tips for the Adobe Digital Marketing Summit First-Timer

Tips for the Adobe Digital Marketing Summit First-Timer « Adobe Digital Marketing Summit function clearSearch() {document.search_form.s.value = "";} .recentcomments a{display:inline !important;padding:0 !important;margin:0 !important;}adobe.com      Adobe Digital Marketing Summit / Tips for the Adobe Digital Marketing Summit First-Timerby Matt Rozen  

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영화 Act of Valor, 어도비와 만나다!

Wednesday, August 29, 2012

Windows 8 has reached the RTM milestone

64 bit Windows 8 de Metro Uygulamasini Kapatmak

Beyler benim söyle bir sorunum var 1 kaç sitede

Windows 8 Klasik Baslat Menüsüne Geçis

Bu yazimizda windows 8 de klasik baslat menüsüne geçisi anlatiyoruz. Windows 8 de klasik baslat menüsünü aktif etmek için asagidaki asamalari sirasi ile takip etmeniz gerekmektedir.

1. Regedit'i açin ve asagidaki yolu takip edin,

HKEY_CURRENT_USER\Software\Microsoft\Windows\CurrentVersion\Explorer

2. Daha sonra  "1" olan RPEnabled degerini "0" olarak degistirin.

Regedit'i kapattiktan sonra klasik baslat menüsüne sahip oldugunuzu göreceksiniz. RPEnabled degerini "0" yaptiginiz için windows 8'in metro uygulamasini kullanamazsiniz. Fakat klasik baslat menüsünden sikilir ve metro'ya geri dönmek isterseniz RPEnabled degerini tekrar "1" yapmaniz yeterli olacaktir.

Not: Regedit degisikliklerinde yapacaginiz bir hata sisteminize ciddi hasarlar verebilir. Bu yüzden sisteminizde bu degisikligi yapamayacak kapasite de bilgisayar bilginizin oldugundan emin olunuz.

Bunlar da ilginizi çekebilir:

Yazisini gördüm benim derdim Widnows un kendinsinden kapatmak

herhangi bir uygulama yardimci uygulama yada eklenti ile degil

windows u nasil klasik baslat menusune gecirebiliyorsak yada masaustu simgelerinden

seçebiliyorsan o sekilde kapatmak

herhangi bir yardimci uygulama olmadan

bilen war mi

bu regedit kaydi 64 bit olan rc sürümünde malesef yok . yol a gittim . herhangi bir anahtar yok rcenabled ile ilgili

[image]4.bp.blogspot.com/.../windows8_old_start_menu.jpg[/image]

istegim bu


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Windows 8 will be available on…

.According to Russia on July 19, these reports, http://www.hats4mvp.com/"  >New Era Capsthe national news in Nevada punishment

local time, 18, said Ukraine former prime minister ms tymoshenko in the hospital for

treatment of 2 months 79 times of the communist party of China's meeting, which lasted more

than 170 hours, of which only foreign representatives met with 52, lasted for more than 30

hours.

Reports say, http://www.hats4mvp.com/"  >Snapback Hatslocal time May 10 to 16 July period, also is in the hospital for ms tymoshenko

rehabilitation center of this time. She and lawyers, relatives, national legislators and

foreign representative, totaling 79 meeting, which lasted more than 170 hours.http://www.hats4mvp.com/"  >New Era Hats Ms tymoshenko

meeting with foreign representative number as many as 52 people


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Windows Upgrade Offer Registration Now Available

Today, registration is officially open for the Windows Upgrade Offer we announced in May. If you purchase or have purchased an eligible Windows 7 PC anytime between June 2, 2012 and January 31, 2013 you will be able to purchase an upgrade to Windows 8 Pro for only $14.99 (U.S.) which will be redeemable when Windows 8 is generally available on October 26th. If you’re still looking for a PC, check out some of our great Windows 7 PCs. Once you’ve purchased your PC you can come back and register for the offer.

Registration for the Windows Upgrade Offer is only for those who buy an eligible Windows 7 PC between June 2nd and January 31st, 2013.

Here is what you need to do to register for your $14.99 (U.S.) upgrade to Windows 8 Pro:

After buying your PC, go to the Windows Upgrade Offer website to register. It will ask you to select your country (details for the offer vary depending on country). You will then be asked to register with your personal details as well as information about your Windows 7 PC purchase – including date of purchase, retailer, and PC brand and model. You should also have your 25-digit Windows 7 product key that came with the PC handy as you may be required to enter this as part of the registration.

1

Then starting on October 26th, we will start sending out promo codes via email with purchase instructions. You will be directed to Windows.com where you will go through the online upgrade process with the Windows 8 Upgrade Assistant (shown above) as I have highlighted here in this blog post. Once you get to the purchase screen in the Windows 8 Upgrade Assistant, it will show the $39.99 upgrade price. However, on the order confirmation page you’ll have a chance to enter your promo code – that price will change to $14.99. Once you make your purchase, your download and upgrade installation begins!

You will have until February 28, 2013 to register for the offer to get Windows 8 Pro for $14.99.

If you experience any issues or have questions - you can click the contact support link at the top of the Windows Upgrade Offer website.

Did you already buy an awesome Windows 7 PC prior to June 2nd (or have a Windows 7 PC not eligible for the offer)? Not to worry! Starting on October 26th, you will be able to upgrade to Windows 8 Pro for $39.99!

Both the Windows Upgrade Offer and $39.99 upgrade promotion is available in 140 countries worldwide, with 37 supported languages, and 23 supported currencies (we’ve added 9 additional countries over the original 131!).


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Upcoming Windows Milestones Shared with Partners at WPC

Today in Toronto, Canada, at Microsoft’s annual Worldwide Partner Conference, Windows Chief Marketing Officer and Chief Financial Officer Tami Reller spoke to thousands of partners from around the world. She shared some exciting new details regarding Windows that I wanted to pass along.

For the first time, we provided details on Windows 8 availability. Tami confirmed that Windows 8 is on track to Release to Manufacturing (RTM) the first week of August. For enterprise customers with Software Assurance benefits, they will have full access to Windows 8 bits as early as August. Additionally, she noted that RTM is when we’ll be turning on the commerce platform so that developers can start earning money for their apps – we'll have more to share on the Windows Store for developers blog soon. Of course, right now with the Windows 8 Release Preview, all apps are still free for people to try.

Tami went on to say that Windows 8 will reach general availability by the end of October! This means that new Windows 8 and Windows RT PCs will be available to buy and upgrades will be available starting in October. She also mentioned that that Windows 8 will be available in 109 languages across 231 markets worldwide.

Finally, Tami announced a new milestone with Windows 7. There is no question that Windows 7 is the bestselling operating system in history – and the number of licenses sold keeps growing. In her remarks, Tami announced that more than 630 million Windows 7 licenses have been sold to date – and that more than half of enterprise desktops today are running Windows 7.

For Windows 8 hardware demos from our partners, I recommend watching the replay of the keynote, which will be available here later today.


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Upgrade to Windows 8 Pro for $39.99

@ MikeW20

windowsupgradeoffer.com/.../Faq

This is another action, It operates in 131 countries.

Afghanistan El Salvador Lithuania Russia

Albania Estonia Luxembourg Rwanda

Andorra Faroe Islands Macau SAR San Marino

Anguilla Finland Macedonia Saudi Arabia

Argentina France Malawi Senegal

Armenia French Guiana Malaysia Serbia

Aruba Georgia Maldives Singapore

Australia Germany Mali Slovakia

Austria Ghana Malta Slovenia

Azerbaijan Gibraltar Martinique South Africa

Bahamas, The Greece Mexico Spain

Bahrain Greenland Monaco St. Kitts and Nevis

Belgium Grenada Mongolia St. Lucia

Bermuda Guam Montenegro Swaziland

Bosnia and Herzegovina Honduras Morocco Sweden

Brazil Hong Kong SAR Mozambique Switzerland

Bulgaria Hungary Namibia Taiwan

Cambodia Iceland Netherlands, The Tajikistan

Canada India New Caledonia Thailand

Cape Verde Indonesia New Zealand Trinidad and Tobago

Cayman Islands Ireland Nicaragua Tunisia

Chile Israel Norway Turkey

China Italy Oman Uganda

Colombia Jamaica Pakistan Ukraine

Costa Rica Japan Panama United Arab Emirates

Croatia Jordan Peru United Kingdom

Cyprus Kazakhstan Philippines United States

Czech Republic Kenya Poland Uruguay

Denmark Korea (South) Portugal Uzbekistan

Djibouti Kuwait Puerto Rico Vatican City

Dominica Kyrgyzstan Qatar Vietnam

Dominican Republic Latvia Reunion Virgin Islands

Ecuador Liechtenstein Romania

This layout is the price you like?

AUD - Australian Dollar $14.99  

BRL - Brazilian Real R$29  

CAD - Canadian Dollar $14.99  

CHF - Swiss Franc Fr. 17.95  

CNY - Chinese Yuan ¥98  

DKK - Danish Krone kr. 119  

EUR - Euro € 14.99  

GBP - British Pounds £14.99  

HKD - Hong Kong Dollar HK$119  

INR - Indian Rupee INR 699  

ISK - Icelandic Krona 2,499 kr  

JPY - Japanese Yen ¥1,200  

KRW - South Korean Won ?16,300  

MXN - Mexican Peso $199  

NOK - Norwegian Krone kr 119  

NZD - New Zealand Dollar $19.99  

PLN - Polish Zloty 69 zl  

RUB - Russian Rubles RUB 469  

SEK - Swedish Kronor 139 kr  

SGD - Singapore Dollar $17.99  

TRY - Turkish Lira TRY 29  

TWD - Taiwan Dollar NT$439  

USD - US Dollar $14.99  

I can not say for your currency, but the Russian ruble company Mitsrosoft changes I am happy.


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