“I dissected all of Hitchcock’s Rear Window and stiched it back together in After Effects,” writes Jeff Desom. “I stabilized all the shots with camera movement in them. Since everything was filmed from pretty much the same angle I was able to match them into a single panoramic view of the entire backyard without any greater distortions. The order of events stays true to the movie’s plot.”
[Via Felix Baum]
Posted by John Nack at 9:16 AM on April 07, 2012
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